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Prism Media Products - MLA-2
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2-channel Precision Compressor Limiter

Model: MLA-2

  • Input Gain control, adjusts compression depth (drive)
  • Output Gain control for gain make-up
  • Adjustable ratio from gentle compression to limiting
  • Adjustable Attack and Release times
  • Attack and Release times are also dynamically auto-adjusted to avoid pumping effects
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Tech Specs
The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design. The second to appear in the range of Maselec Master Series products, the MLA-2 was developed for Prism Sound by engineer/producer Leif Mases. Leif's work with a diverse range of artists including Abba, Led Zeppelin, Jeff Beck and Black Sabbath as well as co-ownership of the renowned Marcus Studios in London provided the essential experience using the "tools of the trade" needed to define and implement new and improved professional audio components. Also qualified in electronic design, Leif Mases developed the highly acclaimed Maselec 9001 retrofit equalizer for SSL 4000 mixing consoles used in film sound and recording studios and currently also builds custom consoles and equipment for mastering and other applications. The combination of Leif Mases' experience with the creative process and Prism Sound's focus on engineering and technical excellence ensure that the Maselec Master Series delivers great-sounding audio in an intuitive and easy-to-use package.
  • Input Gain control, adjusts compression depth (drive)
  • Output Gain control for gain make-up
  • Adjustable ratio from gentle compression to limiting
  • Adjustable Attack and Release times
  • Attack and Release times are also dynamically auto-adjusted to avoid pumping effects
  • Switchable gain reduction or program level (VU) metering
  • IMAGELINK system for intelligent stereo linking: Short transients on one channel do not duck both.
  • Precision stepped controls for accuracy and repeatability; larger controls for often-used adjustments
  • Low noise and wide dynamic range
  • Electronically balanced XLR inputs and outputs
  • Full bypass when the power is turned off
 
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